malcolm rollick runs and programs

crows pace

93 montrose ave
Brooklyn, New York 11206

she will be releasing scaffolds at crows pace on March 24, 2006. I am currently designing the album art.

malcolm rollick started playing on New York sidewalks
at the age of seventeen. She then headed off to
college, collected degrees in Music and in Literature,
and graduated to late night subway entertaining with
friend and co-writer Gerard Smith (TV on the Radio).
Malcolm and Gerard held a summer long residency at the
now forgotten 'Stinger' club in Williamsburg in 2000.
Their music was performed with and by members of 'Coco
Rosie' and 'TV on the Radio'. Most memorably Tundai
(TV...) and Malcolm screamed angry jazz down each
other's throats until Malcolm got distracted and began
reading aloud from Moby Dick. She apologizes to Jason
Sitek... yes, i still have your book. Ian Coletti
wrote the first four songs for his project "Angriest
Pussycat" with Malcolm's voice in mind. Over four
years she quit the band twice because no one could
hear the lyrics (which are really good) but eventually
she laid her four tracks to rest on the EP. She still
misses screaming, and rock and roll sometimes, but not
enough to go backwards. Ian dubbed her the cult
character that kept vanishing from the band to go
meditate, but she got kicked out of meditation camp in
2003. She worked for two awkward and potent years with
the grassroots misfit band 'Dufus', singing in the
choir and dancing like a robot. (this move is called
"picking up a piece of paper and exiting stage
left..." Lucas Crane, circa. 2001) In 2004 she played
the lead in Gina Young's most recent rock musical "God
in a Girl". She has shared the stage with the likes of
Diane Cluck, Mary Timony, Kyp Malone, Pamela Means,
Kimya Dawson and Chris Pureka. These days she can be
found singing backup vocals and little tiny arias in
Julia Frodhal's 'Edison Woods' (www.edisonwoods.net),
and managing a small, community-based, queer d.i.y
venue of her own invention (www.myspace.com/crowspace). She is in the process of completing her second solo record "Scaffolds", and can be found playing local clubs and coffee houses, and the occasional night in the underground. Her music was a gift from her father and her god-father alike, and
it carries her close.
booking: mlklm_rollick@yahoo.com / 347 244 0579 / / listen: www.myspace.com/malcolmrollick