The work sought to evoke the metaphoric habitat of a survivor from a future post-apocalyptic scenario. Before the explosive load-in/creation, I had been deeply involved in J. Krishnamurti dialogue going into the nature of the mind and brain; image-making and time. Blurring borders between the real, the imaginary, and the symbolic; my art practice re-examines traditional existential concepts from various angles, creating suspended metaphoric maps. The pseudonym, 'scrapworm,' names the allegory of my creative process. This identity is a human perspective on witnessing the passage of time.